Banner image:  “Twenty-eight fugitives Escaping from the Eastern Shore of Maryland,” (October 28, 1857), original illustration by Wilbur Osler for William Still, Underground Railroad (1872), colorized and animated by Amanda Donoghue (House Divided Project)


On this page, you will find downloadable versions of the images used in the print handbook and at the online companion site, organized by selected content categories.  First, however, we offer a gallery of colorized illustrations created by students and staff at the House Divided Project for this handbook as well as for other partnership projects with the National Park Service.  All images presented below should be in the public domain and free to use for educational and non-commercial purposes.  Where relevant, however, we do provide credits to the original copyright holders.


Colorized Illustrations

The cover image for the new handbook on the Underground Railroad comes from an original illustration which appeared in William Still’s memoir, The Underground Railroad (1872).  John Osler was the engraver of the print, titled, “The Christiana Tragedy,” which appeared between pages 350 and 351 in the subscription edition.  Osler and other notable artists such as Edmund B. Bensell, S. Foy, Wilbur F. Osler, C.H. Reed, and John Sartain engraved a total of about seventy intricate and quite beautiful illustrations for Still’s work, which created a narrative from records Still had kept as chief organizer of the Philadelphia Vigilance Committee’s activities on behalf of freedom seekers in the 1850s.  For additional background on these illustrations, see an online exhibit from the National Portrait Gallery available from Google Arts & Culture.

Osler original

Original illustration of “The Christiana Tragedy” from John Osler’s engraving (1872) (House Divided Project)

We colorized the illustration and used a detail from that new image for the cover of the handbook as a way to highlight how what has become a relatively obscure story concerning the Christiana resistance in September 1851 now offers a gateway to help better understand the complex and often openly defiant operations of the Northern vigilance network and the Underground Railroad.  Gabe Pinsker, a high school student in Pennsylvania, colorized Osler’s image during summer 2022 using the open-source editing platform, GIMP.

Christiana

Christiana (1851), orig. by John Osler, colorized by Gabe Pinsker (House Divided Project)

Scotts in Leslies

Frank Leslies, June 26, 1857

Colorizing historic images can offer a powerful way to humanize and help bring to life various subjects from the past.  Consider the following transformation of Dred and Harriet Scott and their daughters, Eliza and Lizzie, from a June 26, 1857 front page at Frank Leslie’s Illustrated Newspaper to a photoshopped and colorized family portrait created by Dickinson student Cooper Wingert in fall 2020.  The result depicts a family of freedom seekers, who had sought their liberation through the courts rather than by running away, and who ultimately (despite an adverse ruling from the US Supreme Court) achieved  freedom by manumission in the summer of 1857.  Read more about their story at our Civil War classroom site.


Now it is also possible to colorize historic photographs using artificial intelligence (AI).  Here is an example from early 2023 that required only a few manual refinements by our student interns.

Scourged Back

“Scourged Back” by William D. McPherson, Baton Rouge, 1863

colorized scourged back

1863 carte de visite colorized in 2023 using AI programs

 

 

 

 

 

 

 

 

 

 

For more information on this dramatic wartime photograph, see this teaching post at Matthew Pinsker’s undergraduate Civil War course site


Colorized Illustrations from William Still’s Underground Railroad (1872)

Students from the House Divided Project are now busy colorizing the roughly seventy richly engraved illustrations by Edmund B. Bensell, S. Foy, John Osler,  Wilbur F. Osler, C.H. Reed, John Sartain, and others which first appeared in William Still’s Underground Road (1872).  Most of these scenes depict dramatic Underground Railroad escapes documented in the antebellum records of the Philadelphia Vigilance Committee, but there are also numerous portraits of freedom seekers and vigilance operatives.  The credit link provides access to the original image as it appeared in print and now available online through the House Divided research engine.


Illustrations

Paintings

Photographs

Sculptures & Monuments